LOVE THROUGH THE LENS (2013) from Red McLeod on Vimeo.
Moving to Christchurch after a major earthquake is not the best way to make new friends, so to mix things up from the usual advertising brief I recently reached-out to a few creative types in the local area to collaborate on a short film.
Good comedy preferably goes a long way in the short film format, so despite living in London, comedy genius Tom Hazledine signed up as the production's creative writer.
For the first time in his career, fashion photographer Dave Richards was keen to shift his keen eye from still-photography to moving pictures. My good friend Arnya Karaitiana flew down from Auckland to fill the roll of Art Director, and shortly after Brooke Freeman partnered with Alice Mackenzie as head producers a comprehensive list of talented camera-men, hairdressers, make-up artists and broadcasters / come actors started to form our disheveledly-hip team.
Photo and Video International suggested his #1 camera destroyer, Sam Minnell, and the store's Olympus rep, James Luhrs, as a couple of keen camera-men trustworthy of any visual task. But upon receiving our film-brief unfortunately James was so familiar with telescopic binoculars and long lens's he was wrenched from behind the camera and cast as our main stalker-talent! Brodie Kane from TVNZ's Seven Sharp tentatively agreed to feature in the film and Tom took the liberty to base the entire screenplay around her awesomely-blunt humor.
The long and tedious processes of film-making is traditionally the occupation of well funded, patient production organizations looking for a return on investment. Our group however selflessly entered into the popular 48 hours film making competition facing neither time, or money to complete and perfect our collaborative effort. Such little time and money that our ambitious efforts were slightly miscalculated and it took 49 hours to produce the final file, leaving our film team with little more then the award for 'Best Disqualified Film 2013'. But we'll take it.
Other then four portable LED lamps, a boom, mic, and field recorder, the main piece of technology in the productions was essentially a Nikon D800 DSLR photography camera partnered with a SoundDevices Pix220 high-definition ProRes recorder, sitting on a Redrock rail system. A Nikon D7100 was used as a B-camera as well as my trusty Sony NX5 (for some 'video zoom' style shots).
Arnya Karaitiana, Brooke Freeman, Red, Gavin Bath, and Alice Mackenzie (from left) photo by Dave Richards
The most disappointing aspect of making this film wasn't the musical score that three of us composed in about an hour, the lack of time for a full colour-grade, or the out-of-focus reveal of 'Joel' the standout best performance (2:20), it was knowing after Love Through the Lens was disqualified we had no audience to enjoy this 8 minute comedy. So hopefully a few people online will get laught or two out of it. Enjoy.